Gallery talk: Jaime Arredondo and the Popol Vuh (Read More)

Illustration. Two jaguar figures face each other in the center of the image looking up towards the sun. On each side of the cats, two ponytailed human figures clad in loincloths - one standing and one kneeling - reach towards the sun. Vines with fruit cross the image. The sun has eyes and a cross symbol. Text reads: all the tribes joyfully worship the first appearance of the sun and morning star.
Jaime Arredondo, is an artist and illustrator for the exhibition "Popol Vuh: The Sacred Book of the Quiche Through Illustration". With this art, Jaime Arredondo hoped to restore the former glory of the Popol Vuh and its authors to its deserved place in human history. The artist’s hope is that the work will lead to a greater interest in and defense of the stories, art, and culture of Native and Indigenous people. Jaime Arredondo was born in Dallas, Texas to Mexican American Tejano parents. He earned a BA from University of Dallas, Irving, TX and a MFA in Painting from Yale University. After graduating from Yale University with a MFA in Painting, he moved to New York City and began teaching his course “Of Fire and Blood: Art and Mythology of Mexico” at NYU, and at The New School. He has had numerous solo gallery and museum shows in the Southwest and in New York City and is the recipient of numerous awards. In 2009, his paintings were published as stamps by the United Nations, and in 2015 he was commissioned to create a permanent art project for the Manhattan Transit Authority comprised of thirty-six mosaics of his works, installed at the Zerega Station in the Bronx, and entitled “Garden of Earthly Delight.” He currently lives in New York City with his wife and daughter.

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Willa Cather Spring Conference: Travis Hencey artist talk and reception (Read More)

Artwork: graphite on collaged paper with a spot of poured pewter. Elements of the work could suggest a rope and a zigzag wall.
This event is part of the 69th Annual Willa Cather Spring Conference, and is free and open to the public. The Field, The Fire is a solo exhibition to be held in conjunction with the 69th annual Willa Cather Spring Conference. The conference, Cather and the Readerly Imagination, will focus on Cather's own books and reading habits, as well as her attention to the content and appearance of the books she created. The ideas of Cather as both reader and writer and her books as both story and substance seem a natural fit with Hencey's work. Travis Hencey was born and raised in Chadron, Nebraska, a small town in the northwestern panhandle of the state. Generally, Travis's work deals with themes of transience, memory, and family history in the Western Nebraska landscape with an eye toward materiality and mark-making.

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